Joburg Film Festival: Celebrating 30 Years of South African Democracy With Spotlight on ‘Inspiring’ Local Storytellers

Joburg Film Festival

Building on the success of its post-pandemic resurgence just one year ago, the Joburg Film Festival is set to launch its highly anticipated sixth edition on February 27th. This vibrant event, held in the lively heart of South Africa’s media and entertainment hub, promises to once again captivate audiences with a lineup showcasing top talents from both the host country and across the African continent.

The festival kicks off with the world premiere of Gordon Main’s poignant documentary “London Recruits,” which delves into a crucial chapter of South Africa’s struggle against apartheid. This compelling film offers insight into a pivotal moment in the nation’s history, shedding light on the bravery and resilience of those who fought for liberation.

Closing the festival on March 3rd is the premiere of “Snake,” a gripping psychological thriller crafted by veteran filmmaker Meg Rickards. This eagerly awaited film promises to leave audiences on the edge of their seats with its intriguing narrative and masterful storytelling.

Following its successful return to Johannesburg cinemas last year, marking the first in-person edition since the onset of the coronavirus pandemic in 2020, this year’s festival aims to expand its reach even further. With an increased number of festival venues and a diverse lineup of over 60 films representing 30-plus countries, the Joburg Film Festival is poised to offer audiences an enriching cinematic experience that celebrates the diverse voices and talents of the global film community.


“The Joburg Film Festival has always strived to be the leading African film event, and we’re gaining recognition for our unique identity and mission,” says Nhlanhla Ndaba, curator of the festival.

Joburg Film Festival: Celebrating 30 Years of South African Democracy

This year’s edition arrives at a significant moment for African cinema, coinciding closely with French-Senegalese filmmaker Mati Diop’s historic win at the Berlin Film Festival. Diop made history as the first Black director in the festival’s 74-year history to receive the prestigious Golden Bear award for her documentary “Dahomey.” The closing ceremony on Feb. 24 saw Diop being presented the award by jury president Lupita Nyong’o, herself the first Black and African woman to lead the Berlinale jury. This momentous occasion highlights the growing acknowledgment and celebration of Black excellence within the global film industry.

In Johannesburg, the festival aims to further this dialogue. Alongside the main event, the Sandton Convention Center will host the second edition of the JBX content market from Feb. 28 to March 1. This three-day gathering will bring together local and international industry professionals to discuss pressing topics, including the impact of the volatile economic landscape on global and regional streaming platforms and the pivotal role of women in driving and shaping Africa’s screen industries. The event provides a platform for insightful discussions and meaningful exchanges aimed at advancing African cinema on the world stage.

In addition, the festival is intensifying its efforts to nurture the next generation of African storytellers by providing a platform for students to showcase their films. Alongside this initiative, a range of programs targeting youth audiences will be launched throughout the week. These endeavors underscore the festival’s commitment to fostering emerging talent and engaging with diverse demographics, reflecting its evolution as a dynamic event supported by South African entertainment giant MultiChoice in a rapidly evolving African media landscape.

Furthermore, festival executive director Timothy Mangwedi emphasizes the importance of showcasing the finest films from the continent while spotlighting African actors and other talents. “We are dedicated to bringing the best films that Africa has to offer,” Mangwedi states, highlighting the festival’s commitment to elevating African cinema on the global stage.

Nhlanhla Ndaba echoes this sentiment, emphasizing the festival’s elevated standards and its growing significance within world cinema. “We have placed a strong emphasis on African films, making them the focal point of the festival while also incorporating international films to ensure a well-rounded program that appeals to diverse audiences,” Ndaba explains. This approach reflects a conscious effort to strike a balance and offer a rich blend of cinematic experiences to festival-goers.


These efforts have yielded a remarkable lineup boasting 10 world premieres, 30 African premieres, and 16 South African premieres, showcasing an impressive array of films. One of the festival’s standout achievements is securing the African premiere of Warner Bros. and Legendary’s highly anticipated blockbuster “Dune: Part Two,” marking a significant milestone for the event. Among the other eagerly awaited titles making their debut on the continent are Wim Wenders’ Cannes prize-winning and Oscar-nominated film “Perfect Days,” Ryusuke Hamaguchi’s Venice Grand Jury Prize-winning “Evil Does Not Exist,” and Raven Jackson’s “All Dirt Roads Taste of Salt,” produced by Barry Jenkins.

Representing the host nation is Ian Gabriel’s gripping political thriller “Death of a Whistleblower,” which premiered at the Toronto Film Festival, adding to the festival’s diverse lineup of offerings. Additionally, highlights from the African continent include Ramata-Toulaye Sy’s Cannes competition entry “Banel & Adama,” selected as Senegal’s entry for the international feature film Oscar race, and C.J. “Fiery” Obasi’s acclaimed “Mami Wata,” which received recognition at the 2023 Sundance Film Festival. With such a rich selection of films spanning genres and regions, the Joburg Film Festival promises an unforgettable cinematic experience for audiences.

Joburg will also proudly host the African premiere of “All the Colors of the World Are Between Black and White,” a groundbreaking gay romantic drama directed by Babatunde Apalowo. This film made waves after its premiere at the Berlin Film Festival last year and was notably filmed in Nigeria, where homosexuality remains illegal. Nhlanhla Ndaba emphasizes the festival’s commitment to breaking barriers and offering diverse and thought-provoking content to its audiences.

This year’s festival holds particular significance as it coincides with the 30th anniversary of South Africa’s first democratic elections, a pivotal moment in the nation’s journey away from apartheid. This milestone has served as a guiding light for the festival organizers, shaping the selection of films and the overall direction of the event. The decision to open the festival with “London Recruits” was deliberate, as it delves into the struggles and events that have shaped South Africa’s trajectory to the present day.

Under the theme of honoring the country’s “inspiring storytellers” and celebrating the “legends” who have influenced three decades of South African cinema, this year’s Joburg Film Festival aims to acknowledge the nation’s hard-fought path to freedom while also navigating the challenges of an uncertain future. “We are reflecting on our past to inform our present and guide our future,” says Ndaba, highlighting the festival’s commitment to introspection, growth, and progress.

Also read: PGA Awards: ‘Oppenheimer’ Wins Top Film Prize

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